I worked for Greg on both of his Steven Spielberg movies he was nominated for Oscars on both. Unless Greg got rid of a lot of models and props, I’d have to believe this is only the tip of the iceberg of his collection.Īnother post offers more Greg Jein items - most of which he made himself - at the same Heritage Auction page. ! The auction website page is heavy on costumes, too. Somebody’s going to be earning big money. I almost tripped over the robot costumes from Silent Running.īidders will need deep pockets to compete in this auction. I visited Gregory Jein’s house in 1976 and found it jammed with models from movies - you couldn’t enter the living room because it was blocked by three oversized ‘miniatures’ of Russian MIGs from Ice Station Zebra. The offerings will stagger hardcore collectors of all things Star Trek and Star Wars - Greg had the studio and sfx connections to beg, buy and borrow everything, and he was crazy about Sci-fi miniatures and costumes.
Gary Teetzel finds another fairly amazing Auction online: this time it’s a bidding melee for the Gregory Jein Collection.
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Gossip maven Louella Parsons must have had a slow news day to report on the production of a movie tentatively called “Kuru.” It sounds like an entirely different kind of project … maybe the final script came together in a rush as well. We suspect that its post-production was stalled for at least a few months, because the street scenes in Piccadilly were filmed in August and October of 1959. a news clipping found by fellow CineSavant reviewer Charlie Largent, who asks, is this the origin of Gorgo? It’s dated December 23, 1958, which means that the King Brothers were working on Gorgo way before its 1961 release date. The mighty Mishka again assumes his best Gorgo pose, to introduce. Everson waited until Rohauer was gone to air his thoughts I wonder if we’ll ever hear the facts separated from the rumors about today’s collectors / hoarders, that for various reasons withhold film history from the public. Today we have our share of film collectors that stand in the way of reasonable film preservation, most often by refusing to cooperate with archives. We learn that Rohauer’s efforts did help to preserve some films, especially those of Buster Keaton, but that can’t begin to compensate for his wicked, dishonest ways. Everson.Įverson’s aim with Raymond Rohauer: King of the Film Freebooters is to demolish the memory of an acknowledged film pirate. The author is the respected film scholar, author and collector William K. We agree:Īnd finally, we happily link to a post on the Brenton Film website, a reprint from the #49, Summer 1994 issue of Grand Street Magazine.
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Michael also saw a cover for an old TV Guide and felt certain that it served as the template for the TV Guide cover seen in Tarantino’s Once Upon a Time in Hollywood. The rag slanders Mario Lanza and drags poor Gail Russell through the slime … ya just want to offer her moral support and encouragement. In this case he’s surfaced with a Hollyood scandal magazine with articles on Elia Kazan’s Commie Trouble and George Raft consorting with gangsters like Bugsy Siegel. but we like the ’60s look given the special effects.Ĭorrespondent Michael McQuarrie finds more than his share of interesting items online. They have be seriously over-thinking their ‘indirect marketing’ ploy.
do you think the likeness of the surprise guest was properly licensed? It’s nice to know that today’s advertising Mad Men believe in this kind of nostalgia. This commercial for the trading firm Marubeni features a surprise cameo by a veteran movie star not known for making paid public appearances. Leave it to associate & research fanatic Gary Teetzel to come up with yet another arcane, head-scratching Kaiju– related video.
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